You have had a compact digital camera for a while. Time to upgrade. Single lens reflex (SLR) cameras are what professionals and serious amateurs use, be it film or digital. And not just because they let you change lenses.
SLR cameras produce high quality images, which is what puts them in a class apart from cheaper compact cameras. The same holds true for film or digital. In digital cameras, the sensor is also smaller, bringing with it problems such as grainy pictures, better known as "noise" in digital parlance. Not so with digital SLRs. And DSLRs also avoid "shutter lag", meaning you actually get what you clicked-that candid moment, with no delay.
So, you may have a compact camera offering 10 megapixels and an SLR also offering just for 6 or 8 megapixels. But the digital SLR, with its more advanced sensor will produce much better pictures. Megapixel numbers are not everything-because if that were true in photography, you would have got the same image quality with any camera, provided you used the same film. We know that's absurd.
* A 6 megapixel DSLR is great for most jobs. To save money you could even buy an older model, like the Nikon D70S, which used to cost a lot more. It was a standard with the pros, until newer models arrived.
* Consider battery life. You should get at least two days of regular shooting without recharging.
* DSLRs store pictures in memory cards (usually called CF or SD cards). It helps to have more than one card with at least 1 GB capacity each.
* Dust is a major enemy of all electronic appliances. See that you don't get any of it into your DSLR when you change lenses.
* DSLRs are often much larger than other digital cameras. But that's a small inconvenience, if you want a much better picture. One way out: Own more than one digital camera- a compact for some jobs, a DSLR for more serious ones.
Mar 26, 2008
You have had a compact digital camera for a while. Time to upgrade. Single lens reflex (SLR) cameras are what professionals and serious amateurs use, be it film or digital. And not just because they let you change lenses.
Mar 25, 2008
MOORESVILLE, Ala. The city of Mooresville is charging commercial photographers $500 for a permit to take pictures of its historic buildings, a practice some are questioning as discriminatory and unlawful.
Huntsville photographer Don Broome sent a letter to the editor of The Huntsville Times after he was served with a violation notice two weeks ago and told to leave town because he didn’t buy the permit before taking pictures.
Since Mooresville also charges $30 for a business privilege license, it costs commercial photographers $530 a year to take pictures in the north Alabama town, which is listed in the National Register of Historic Places and has about 60 residents.
“To me if I’m on a public street, whatever view I have is mine to photograph,” Broome said. “If I go on somebody’s private property to take pictures, then I’d be stealing it.”
Mayor Jerri McLain said March 19 the person who served Broome with the violation must have been confused about the new policy and fee, which began in January.
She said only commercial photographers who regularly book multiple clients and actually step onto the property to take pictures are required to buy the permit.
Commercial photographers like Broome would be exempt because they don’t have a subject in the photo and aren’t in Mooresville on a regular basis.
The Huntsville Times published a story on the matter in its March 19 editions, and the issue also drew attention from area television stations.
“I think this has been helpful. When some new policy comes on board, you learn and you get better at it,” McLain said.
She said the policy needs to have a description of who the town considers to be a commercial photographer. “We’ll define that in more narrative,” she said.
Huntsville attorney Charles Younger helped Mooresville draft the policy and said tourists won’t be affected because it only applies to commercial photographers.
A call to Younger’s cell phone was abruptly disconnected and messages left there and at his office were not returned.
McLain said the $500 fee was needed to cut down on the tide of photographers who would flood the town at springtime and fight over space at the historic church, post office and tavern.
She said a $25 business permit was previously all that was needed and the price was raised to $30 when the photography permit was implemented. The additional money from fees are being used to help preserve the buildings, McLain said.
Younger told the Times that Mooresville’s policy was no different from any other town in the United States, but Alabama Press Association attorney Dennis Bailey said this was the first such policy he’d ever heard about.
The photography permit “has constitutional issues,” he said. “It’s part of freedom of expression and assembly and to be allowed to photograph what you want and publish it.”
Bailey said that commercial photographers need to have a business license with the city where they are selling their pictures, but not a license with every city they visit to take pictures.
He said the permit also has a problem by not charging amateur photographers for doing the exact same thing the commercial photographers are doing.
“Cities have always been able to charge a permit for doing business in a city,” he said. “But the idea of charging a photographer to come take a picture of a building ... that has First Amendment implications. That’s why I don’t think cities do it.”
Mar 21, 2008
So just how do you do it? Loading film on a manual camera is basically easy. All you need is plenty of concentration and focus and you are on your way to shooting the pictures you want and need.
The following are basic steps and tips on loading film on a manual camera.
First things first, it is best that the film you are loading is the type that is perfectly suited for your
camera. Determine the brand that works best for you as well as on your equipment. Try to search through and research the types of film you have seen developed. Do you like how they came out using that specific brand? If not, try to look at other types until you find the pictures that are colorful and that fits your taste.
Believe it or not, there are many different films to choose from. The most popular is Kodak, of course, as well as Fuji. There is also a type of film that provides black and white picture shots. The camera films available also have a range that offer a slow speed. There is an ISO film speed that is in the 100 while there is also a fast film speed of 400.
An ISO film that has a speed of 100 basically offers a picture that whould best be taken outdoors rather than indoors. Outdoor shots using this type of film are well lighted and bright. However, indoor shots that are taken on an ISO 100 film will turn out dark and blurry without the appropriate lighting and flash system. Also, an ISO 100 film when used to take shots where movement takes place, will basically not turn out good. Pictures taken using such a film will also appear blurry.
Meanwhile, an ISO 400 film offers the best option and shots whether outdoors, indoors, static shots, wide angle shots, or moving shots. An ISO 400 shot provides clear pictures.
Get ready to lock and load
Depending on the speed of the film you choose, set the ISO of your camera on the type of film speed you are loading. This could be done by adjusting the speed dial of your camera. Usually, this function is located on the left of the camera’s top. However, in some models, particularly Canon, the film speed adjustment is located on the right.
After adjusting, pull the tab of the film out of the film canister to about three inches. Then, open the camera’s back via pressing a release button located usually on the camera’s right side. For other types of camera, this release could be found and pressed at the camera’s left side.
Place the film on the available space on the left part of the camera’s inside. Don't forget to place the film with the side that is flat facing you.
Later, the film should be pulled across the inside of the camera’s length in order to reach the right side of the camera’s spool. This is where the tab of the film is to be inserted into this spool and be winded manually, specifically counter clockwise or until this same film wraps itself around the spool.
Spooling a film on a camera that is automatic is a lot easier. You just close the camera’s back and press a small button, and viola, the camera spools the film by itself.
When the film has been loaded and spooled, close the camera’s back and let the film advance until the counter on the camera’s top reads 1. In other cameras, the counter could read the actual number of shots still available on the film.
Get ready to shoot and shoot and shoot
Now that the camera has been loaded with film, it is time to get ready and take those award winning shots. In manual cameras, it is best that the film be advanced immediately after a shot is taken. In automatic cameras, the film advances by itself.
However, be it a manual camera or an automatic, it is important that you check whether the film is advancing or not – or if you have advanced the film or not. If you fail to check, you might be shooting to your heart’s content and the pictures may not turn out the way you want.
Mar 18, 2008
Learn more about photography
choose my first camera.
things that are actually important when considering which camera to buy.
How many megapixels do I need?
I'm going to assume that you are looking at digital cameras here, although I should point out that there are some excellent film cameras around at much less expense. So don’t discount film altogether (it’s not dead just yet!). But to answer the question, we first need to answer another: What do you want to do with your photos? If you only want to post your photos on the web, e-mail them or make small prints to put in a photo album, the resolution you need for this is quite low. To give you an idea, a camera with 2 megapixels will create an image that can make a good quality 6 x 4 print (standard photo album size). Most entry level SLR cameras start at around 6 - 8 megapixels. Therefore if this is all you want to do with your images, the amount of megapixels does not need to be a major concern. If, however, you want to make large sized prints, you may need a higher resolution camera. While entry level SLR’s often produce very good quality prints up to a certain size, more pixels gives you the freedom of being able to enlarge even further. While image software programs can increase the size of your photos they will lose some quality. Starting with a larger image means that fewer pixels are added by the program and less quality is lost.
Is brand important?
Not as important as some would have you think. While photographers will continue to debate the Nikon vs Canon issue (hehe...),
What should be foremost in your mind is build quality. How many plastic parts does the camera have versus metal ones? Metal parts can be replaced, while plastic parts are usually set into a mould and cannot be. Potentially this could mean the difference between having to buy a new part or a new camera a few years down the track. Check how the camera feels in your hand. If it feels solid and sturdy, it probably is. Quality between brands doesn’t differ greatly until you get into the higher end cameras. This is where Nikon and Canon come to the fore and other brands that don’t target this market drop off. However if you decide you don’t need a higher end camera, don’t discount other brands.
hmm..now, what about features?
Cameras come with all sorts of different modes and features. Some of them seem to be included for no other reason than to be a selling point for that particular model. It takes a little research to discern which are actually going to be useful. There are, however, some that you should factor into your considerations. Firstly, what mode settings does the camera have? Many entry level SLR’s have similar settings to point and shoot cameras. I.e. Portrait, landscape, low light etc. While these make things easy, the point of moving up to an SLR camera is to gain more control over your photos. You will never gain the control you want without learning how to use a camera in full manual mode.
Other features, such as a built if flash or cable release socket, may be important to you depending on the type of photography you want to do.
If you like to shoot portraits, a built in flash can be a huge help in lighting shadows. If you are interested in landscape photography, you will at some point want to set you camera up on a tripod to capture a low light scene. Using a cable release allows you to press the shutter without actually touching the camera, removing the camera shake that blurs a picture.
This is possibly the most important of all. Make sure the camera you choose is comfortable and easy to use. Check that you can reach all the buttons easily while shooting and that the dial and menu configurations are logical. Last but not least, check about the warranty. This allows you to learn your gear easily so that you can concentrate on the most important thing: taking pictures.
Mar 13, 2008
Working as a photographer in Insurance company.
Insurance companies always need pictures. Why do they need pictures?
Because they insure things, and they need pictures of the things they insure. They need pictures of those things before they write an insurance policy, and they need pictures of those things before they pay a claim. They always need pictures and they will pay you for them... By offering your services as a contracted photographer or part-time photographer, it's not uncommon for an insurance company to call you up and have you take a few pictures and pay you $200 or more for almost two hours of work. Very pleasant.. ;)
Here's the great thing about technology
if you have a digital camera, the opportunity for you to make money with it!
I'm serious, even if you have no experience, there are things you can do to generate cash very quickly by taking digital pictures. It's not uncommon for a semi-skilled marketer to take a few pictures and turn them into a few hundred dollars by selling them as screen savers online. Now if you can just do something like that every day, then you're set. Again there are a myriad of possibilities in this realm: sporting events, Ritual ceremony,etc...
If you are considering landscape photography as a career, the first thing you are going to want to do is learn as much about it as possible: read books, take classes, visit websites and hunting Landscape picture as many as you can. Then you are going to want to practice, and build a portfolio. Your portfolio should be updated often and only include your absolute best work. You may want to send some of your best photos to photo contests or magazines. These are good ways of breaking into the world of professional photography when you have no experience.
Landscape photography is a great field of photography, especially if you love nature and if you love to travel. You can travel the world taking pictures of beautiful scenes across many countries. Of course, this is landscape photography on a big scale. You may see a night city skyline, a series of lightening bolts or an interesting cloud. Not many people are lucky enough to start off traveling the world.
Be willing to experiment a bit. Once you spend money on a good digital camera you can stop worrying about all the cash you're wasting on film. so give yourself the freedom to experiment and just feel things out.
Lay on the floor, take pictures at low angles, shoot from far away, zoom in incredibly close, and so on. Take pictures of anything and everything that interests you, as this is the best way to stumble across fantastic pictures and you will be addiction of it.
It's not just the camera you'll need to experiment with. Learn how to utilize the accompanying software, too. Reading through the manual or taking the computerized tutorial is well worth it--you'll see an improvement in your pictures as well as an increase in your ability to fix them after the fact. The people you show your snaps to will certainly be impressed!
Maybe almost all of nature photographer is using of slow film.
never use more than ISO100, and ISO50 is better still.
When you use slower film it increases the danger of camera shake. To minimise this a solid tripod is a good investment. Virtually everyone buys one that is too light at first. It may have to support the weight of your camera over rough terrain. Nature photographs are amongst the most saleable of pictures and the sharper they are the more saleable they become. A tripod helps here because it stabilizes the camera. Make sure that your tripod legs are independently adjustable to take full advantage of low shots. These low shots are used often in natural photography for instance in shooting flowers. A tripod is usually in two parts the head and legs, the head needs to be able to moved up and down as well as to tilt.
The start up costs of being a nature photographer are high, you need good optical equipment and excellent tripod. Can you take good photographs without a tripod? O course you can, but are they marketable in a highly competitive field, can you make more money by investing in the best equipment money can buy.
Mar 11, 2008
Film has many advantages that photographers continue to recognize. Major players in the production of film like Kodak is still putting into it millions though experts all agree that digital film will reign supreme in the near future.
These are the reasons though why some photographers prefer film over digital:
Cameras and lenses still have capabilities that digital photography cannot match. Compared with a high-end professional 35mm camera, a digital camera still lacks facilities that only the traditional camera can provide. A photographer who decides to switch to digital may find himself spending big especially if his lenses, flashes and other accessories are not compatible with a new digital system.
The absence of extreme wide-angle lenses and a slow start-up time are two of the most disadvantages of even the best digital cameras. 35mm cameras modifies to digital bodies usually employ a CCD image sensor that is smaller, usually around 245mm x 16mm) as opposed to the 36mm x 24mm x 35mm film that results to a narrow angle. Photographers who are fans of wide angles may find the traditional 35mm more of their liking.
Film cameras also offer an advantage during fast-changing and unpredictable photography scenarios. Unlike digital camera that uses batteries than can ran out in the most unexpected time, a 35mm camera can be easily switched on and ready for use whenever you need take a shot. Moreover, digital cameras usually take several seconds before you can use it which obviously is a disadvantage for photographers who wants to capture actions which can’t be repeated anymore.
4) Weather Condition
Count on film to be more reliable than digital especially when your are working in a not-so-good weather conditions.
5) Comparing Costs
When it comes to cost, film and digital advantages and disadvantages vary considerably depending on the usage. A photographer with a film budget amounting to thousands of dollars in one year may find digital camera more practical. But if you are not a busy photographer, your income may not defray the cost of going digital.
To start getting job as a freelance photographer, you need a portfolio.
A portfolio will show samples of your work. You can start a portfolio of your best work and then add onto it if you win photography contests or start receiving paid work.
How to Get Photography Jobs
Building a portfolio is the first step in submitting your work for pay but when it comes right down to it, it’s the quality of the photo that will determine if you get paid for it. There are schools dedicated to the art of photography and you can even get a degree in it. If you are just getting started, you can look into classes provided by your local community center or community college. Some cities have photography groups that meet to share photos and tips. There are also many groups online dedicated to photography and freelance photography.
You need to view as many famous photographs as possible. Take a look at what is getting published and compare it to your own photos. This allows you to compare and learn from other’s work. It takes more than just point and shoot to get a great photo. You need to learn about focus, lighting, colors and backgrounds and much more.
you can start learning about photography and creating a portfolio, you can start submitting your photos to contests and magazines. Get a list of photography markets and start submitting to ones that accept your type of photos. Don’t expect to make it to the big times right away. Have a nice living from freelance photography!! :)
I think this type of a picture is a true classic form of art and extremely breathe taking. There can never be enough said about black and white photography, but the pictures themselves will speak volumes for all that are looking at them.
Black and white film comes in different part.. The tabular black and white film is a new and thinner emulsion film that has more of a surface area and it gives off less depth with high sharpness. Conventional film is the standard type that gives off a superior detail to highlight and was used before the tabular film was introduced in 1988. Orthochromatic film is the best for shots of people and landscapes and gives off a tone that stands above all other film types. Chromogenic film uses dyes and not the silver particles that are used by the other film types. There is no control over the development process and it is more difficult to work with.
There really is no other special equipment or camera that is needed for black and white photography, only the film. When you bring in your roll of film to a store to be developed just let the person behind the counter know what it is. Some places specialize in the development of black and white and it is best to use their services to gain the true feelings you desired to achieve and portray with the photos.
Career as a photographer can opens many different doors for you, and gives you the options for a whole variety of different photography careers. You can work in the world of journalism, big business, science and art. You can decide to run your own business or you can work for a salary.
Some of people think of studio photography when they consider a photography career, producing studio portraits and other similar work. However, there are many more options that this. Journalism is a great area of photographers, who can specialize in news photography, or maybe sports photography. Some photographic journalists specialize in magazine photography, recording fashion and the lives of the famous. There is also a very venerable tradition of news photographers who became war correspondents, documenting war and other world crises through the lens.
Photographers can also work in business, documenting processes and events that concern large corporations or working with the publicity and media departments. You can have a photography career as a science photographer, recording visually the effects of research and development, or you can do similar work specialising in medicine. The career options are wide for a professional photographer, making this a popular career.
If you want to be a photographer, you will need to go through an education in order to acquire the skills and knowledge you need to do the job properly. However, you will also need other personal qualities to be a good photographer, including:-
-Artistic ability in order to be able to see the photo opportunities around you.
-Allowing you to create a picture with the right elements in the right place to send the message you wish.
-More attention to detail,it is often the details of a picture that can make it or break it.
-sometimes you will have to wait for hours, days or even weeks for the right images to arrive. Be Patience.
-Practical abilities to be able to "finish" a photograph using development or digital techniques.
-An ability to be able to read the market for the style and type of photographs that are acceptable and in demand.
Because being a photographer is not just a career, it is also a way of looking at the world.
Photography captures a moment in every time...
Photography is simple to learn yet at the same time challenging to execute. Learning the finer nuances of photography is based on three key aspects:Light, aesthetics and focus. Understanding these three aspects forms the basis of expressing yourself effectively through photography.
Understanding about light is one of the very basic principles of learning to be a photographer.. Light controls the type of exposure and therefore the quality of the photo is dependent on the quality of the light on your subject and the amount of light that impacts on the film or digital sensor when you click. Controlling the amount of light is a good pre-occupation in the mind of a photographer keen to get a good shot. It should be one of the key considerations
‘exposure’ is a very important word in the lexicon of both amateur and professional photographers and is based on the understanding of light in creating good photographs.
* If there is too much light, the photo will look overly bright (over exposed).
* A happy group of people will not look as vibrant if there was inadequate light when you took the picture.
* Over bright sunlight can create shadows under the eyes.
* Poor lighting never bring out the colors in the scene to maximum effect
There are a few basics that you can apply to circumvent poor picture quality due to unfavorable light conditions:
--Change the position from which you take the shot
--Change the light if clicking indoors
--Use the flash
Most simple cameras have an automatic flash. Slightly better models will have settings for fill-flash. The concept of fill flash revolves around filling light in areas of a picture that may turn out dark or shadowed. Fill-flash has the ability to balance the amount of light on different parts of a subject to ensure that the exposure is adequately bright. For instance, a portion of a person’s face may appear shadowed and the fill-flash setting can help iron out this problem.
The angle of light is another important consideration. You have to pay attention to the direction from which light falls on your subject and there are several approaches in manipulating the angle of light to improve the visual appeal of a picture.
Sideways lighting: Light from the side is used to creates depth in the picture and is considered one of the best ways to use light if you are taking a portrait photograph
Light from the top: This is a method used to brighten up most of the scene but does not work as well when you take a photograph of a person. It tends to create shadows on the lower half of the face when the lighting is high.
Light from behind your subject: This strategy is sometimes used by photographers to amplify the impact of the picture. It can create a halo like effect; it can add artistic shadows and can also create a striking contrast between the subject and the background if used effectively. When you use a ‘back light’ it is recommended that the fill-flash settings on your camera are also adjusted in order to avoid shadows in your photograph.
photography is the aesthetics of the picture. Aesthetics is the creativity and attention to detail that you bring to your photograph. It is the most interesting part of photography since it is almost like a visual equivalent of composing a poem or writing a story. Aesthetics requires the use of visual skills to compose and deliver a pleasing, eye-catching and captivating image. It is a type of vision that you have for your photograph in terms of look and appeal.
Aesthetics requires a good eye for detail. The following factors have to borne in mind in creating an aesthetically appealing photograph:
* Distance from subject
* Changing direction of your camera based on picture dimensions
* Objects impinging on the picture
* Avoiding too many elements
Each of these factors that go into aesthetics are described and explained below-
-->BackgroundThe background in a photograph requires much consideration. It influences the manner in which your subject is portrayed in the photograph. Depending on your choice of background, your subject will be shown to effect or may be overshadowed. The background also makes the difference between a boring and an interesting photograph. The colors, the type of background and the context add to the vibrancy of the photo.
A common problem among beginners in photography is not paying attention to whether the image is being captured fully. When you view your subject through the viewfinder, you may think you have clicked a person from head to shoulder or from head to toe in a full shot. But when the actual photograph is processed, the top of your subject’s head or part of the hair may be missing! Or, if you did not center your subject when you composed the shot through your viewfinder, a part of the shoulder or hand may be lost into the edges of the photo. You need to concentrate when you view your subject through your camera before you click, in order to get the picture exactly the way you want it.
>Distance from Subject
The distance from a subject is another critical aspect in getting a good picture. You want to see facial expression, not a mass of faces when you take a photograph. To do this, you have to be at a suitable close distance from your subject. On the other hand, when you click pictures of a campus, the distance that you click from can give you a wide view and take in a lot more of the scene. To take close up pictures of flowers or crystal or any decorative item, you have to move into close range and use suitable lenses to achieve the right magnification.
>Changing Direction of Your Camera Based on the Picture
Many a time you may not be able to capture the subject in it’s entirety in the conventional horizontal position in which the camera is usually held. You can easily change the direction. Hold the camera vertically and then view your subject. You will be able to capture more of a longish subject like a tall monument, a full-length picture of a child, and so on.
>Objects Impinging on the Picture
At times there are certain objects in a scene that seem to almost invade into the picture. For instance, if you take a picture of a group of your friends on a street, chances are that a street sign may gain prominence in the photograph unbidden and may seem to sprout out of the head of one of your friends in the photograph. Or the light fixtures in your living room may find a place in the picture and appear in the form an unseemly blob in your photo. And the tough part is, when you take the shot you may not be aware of this because the eye is focused on the people in the picture.
>Avoiding Too Many Elements
A picture cluttered with too many objects may detract from the actual subject. For instance, a wide view of a room in which your subject is sitting may create a photo in which too many objects vie for attention. If the person in the picture is your main target then narrow down and concentrate mostly on clicking the subject. While a good background adds value to a picture, too much paraphernalia could take the attention away from the main subject. Your picture may be focused and the lighting may be good but there is so much going on in the picture that it becomes aesthetically lacking and maybe even a little jarring.
Besides Light and Aesthetics, the third issue in photography basics refers to ‘focusing’ the picture. Getting the right focus is the difference between a blurred image and a sharp image. If you have an auto focus camera, the camera will do the job for you. This is available in most basic models. You can also achieve focus manually in other cameras using the mechanism to adjust the focus and to lock the focus on the subject before you click.
To achieve the right focus, it is important to decide on the artistic elements of the final picture. There are areas of a scene that you may want sharper and clearer. For instance, when you photograph a famous monument, you may want the building as well as the blue sky against which it is silhouetted to be crystal clear. If you are photographing a camel in a desert, you might want the camel to be clear and a slightly hazy/blurred effect of the surrounding sand. If you are taking a shot of a room containing a priceless vase, when you look through your viewfinder, you want the finer details of the intricate patterns on the vase to be clearer than other objects in its vicinity. So, it’s also a question of the portion or key part of your picture your focus is really on.
This area that you identify for your focus is referred to as the ‘depth of field’. You can lock the focus on the depth of field that you choose. You can control the focus and depth of field depending on your objectives for different shots.
The basics of photography are better applied when you put into perspective the capabilities of the camera model that you use or plan to purchase. Simple point and shoot cameras require minimal knowledge in operating them. They are easy to use and have the bare minimum controls. The user has to just compose and aim the shot on the subject and presses the shutter button. ‘Click’ and the job is done. The camera handles its functions automatically.
For those of you who want to work with a slightly more sophisticated camera, you have the option of a Single Lens Reflex camera popularly called the SLR system. This type of camera is available in both 35mm film format as well as digital format. Digital cameras have no film but the image is captured on an image sensor and stored in photo memory. Digital cameras in general provide superior picture quality. The internal system of the SLR camera is made up of angled prisms and mirrors that actually work like a lens when you click. But you have a few things to learn about this camera system before you can achieve better light exposure, sharpness and good focus. While it is imperative that you study the instruction manual of your SLR camera system thoroughly to understand the features and functioning, given here are some of the features and a brief explanation on how these features can help you in achieving the right exposure.
>Additional Lenses for Close Up ShotsAn additional feature in an SLR camera that makes it far superior to a simple ‘point and shoot’ camera is the ability to use add-on lenses. When you attempt to take a close up shot of objects in nature like a flower or a butterfly, you might want a very high level of clarity. You can add power to your camera by attaching an additional lens onto your camera lens for greater magnification of your subject. These supplementary lenses are available at reasonable prices in different powers like +2, +3 and so on.
You can also look for a model with an optical zoom lens that gives you the flexibility of variable focal length and a range of lens options within a single zoom lens.
>Shutter SpeedThe shutter in your camera lets light in during a shot and keeps light out at other times. When the shutter opens for an exposure, light is allowed to impact on the film or image sensor. If you set a slow shutter speed, more light impacts on the sensor and affects the type of exposure. When you use a faster shutter speeds your picture is sharper and clearer. There is a maximum shutter speed that is available to you in your camera system. The shutter speed is set at a fraction of a second- for instance, 1/1000th of a second. It could also be 1/2000th or even the much-preferred higher speed of 1/4000th of a second that is available in certain models. Professional use models boast of even higher shutter speed of 1/6000th or 1/8000th of a second. If you want to freeze action such as in sports, you require fast shutter speeds.
There are many more features that when used effectively can add value to the impact of your photographs. Most 35mm SLR cameras have a TTL viewfinder. TTL stands for ‘through the lens’ metering system. This device has the ability to measure (on a scale) the amount of light impacting the film. Using this device is the key to control the exposure and get the right amount of light in order to capture a proper image. You can also use a tripod with your SLR camera. A tripod is your answer to achieving the right exposure in a close up shot and in low light conditions. It holds the camera steady, helps in focusing and ensures a sharper picture even when shutter speed is slow.
The guidelines discussed here on the basics of photography and the additional features of the SLR system, will not only get you started but also help you avoid the common mistakes that many budding photographers make. Study your manual thoroughly for insights and ideas. Learning photography requires patience and the ability to constantly experiment and teach yourself through a process of trial and error. by:Chris Haslego
Mar 9, 2008
Digital Photography is a highly complex activity. This is some tips to enjoy this activity..
1. Use a Tripod .
These can be such a pain to carry around, but they’re definitely worth the time. Using a Tripod or alternative such as a bean-bag will add stability to your camera, meaning you have greater control over exposure times and composition. You’ll also never see that annoying camera shake ruin a picture again whilst using a tripod!
2. Choose a High Capacity Memory Card.
Have you ever had one of those photography days which is going perfect? The light was great, your subjects look fantastic, the weather is holding off, your capturing the shots you only dreamed of…Then it happens.. Your Memory Card is full and you don’t have a spare! You could manually sort through and delete, but it’d take hours. It’s a much better idea to spend a bit more and invest in a high capacity memory card.
3. Use a UV Filter. Using a UV filter on your camera lens is a great idea. They’re small circular pieces of glass that screw over the end of your lens, and offer great protection from scratches, dust, finger prints and also filter out UV rays, improving the color of your images. Best of all they’re dirt cheap!!
4. Add Warmth To Your Tones. The White-Balance settings on your digital SLR control the tonal effects of your images, so try experimenting with them. Don’t think that just because a setting is called ‘cloudy’ that you can only use it when it is cloudy!